Several poems by Howard and ‘The Devil in Iron’ part 1 of 2. Map of the Hoodoo Room by Howard.
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Howard stories and poems are copies of typescripts.
Cover photo is uncredited photo of Hester Howard and an unidentified cousin.
The letters between Glenn Lord and Alla Ray Kuykendall deal with finding a copy of A Gent from Bear Creek published by Herbert Jenkins so that Donald M. Grant can photocopy it for publication.
Howard stories and poems, except of “What I Did in Vacation”, are facsimiles of typescripts. “What I Did in Vacation” is a facsimile of a hand-written school report.
Cover is a photo of Leroy and Faustine Butler with REH.
A collection of poems. Introduction by Tevis Clyde Smith.
“The Castle of the Devil” is a facsimile of a Howard typescript. First apperance here.
The facsimile on the back cover is from a Howard textbook with notes written on it by him.
Dennis McHaney put together a book Anniversary: Glenn Lord and The Howard Collector that he published through Lulu last summer. He solicited and received tributes to Glenn from a number of Howard fans. This is a tribute to Glenn Lord from 2011, winner of Robert E. Howard Foundation Award. Subtitled “For the 50th Anniversary of The Howard Collector and the Eightieth Birthday of Glenn Lord”.
An earlier edition of 50 numbered copies, were signed by Glenn Lord and published in June 2011.
This is the English translation of ‘Le Guide Howard’ by Patrice Louinet. Too bad I missed out on the limited, signed edition of the hardcover version. Patrice Louinet is the editor of the definitive, three-volume, Conan series (Rising Star and Del Rey books). He is also on the board of directors of the Robert E. Howard Foundation and is a well-known Howard scholar.
The synopsis of “The Silver Heel” here is longer (more complete) than the one published in the Fall 2007 issue. It is a facsimile of a Howard typescript from the Otis Adelbert Kline Agency files. An incomplete untitled synopsis also exists.
“Scotchogram” is an incomplete list.
The “Alleys of Peril” synopsis features “Sailor Steve O’Brien”, whereas the story features Sailor Steve Costigan.
The untitled poem is a color facsimile copy of a Howard typescript.
Features a look into REH’s influence on Heavy Metal music, a piece on Bran Mak Morn as a classic American hero in a European setting, a deep exploration of the history of the Howardian honorific “The Father of Sword-and-Sorcery,” a wonderful essay on the thematic undercurrents coursing through Howard’s Solomon Kane tales, poetry by Anthony Avacato, a rough-and-tumble Lion’s Den, and more.











