The letter on p. 3 is a facsimile of a typescript; the letters on pp. 4, 10 and 16 are facsimiles of hand-written documents followed by transcripts of those documents.
The obituary on the back cover is a facsimile from The Ranger Daily Times, Ranger, TX.
Images out of the Sky is an anthology of poetry prepared by Tevis Clyde Smith, Robert E. Howard, and Lenore Preece. The Christopher Publishing House was interested in publishing the anthology, but wanted the authors to help pay the costs of production. The offer was declined. This issue contains the typescripts of the REH portion of the anthology.
The poems that follow the title page are facsimile copies of Howard’s contributed typescripts.
The letter to Clyde Smith accompanied the return of the Images Out of the Sky poetry from the publisher.
Images on the covers are facsimiles of the front and back of the envelope that the letter to Clyde Smith and the pages from Images Out of the Sky were shipped in.
“The Castle of the Devil” is a facsimile of a Howard typescript. First apperance here.
The facsimile on the back cover is from a Howard textbook with notes written on it by him.
The letter to Clyde Smith was a gag summons sent by Howard.
The view of Main Street in Cross Plains, Texas is on a post card.
“Nekht Semerkeht” is a facsimile of a Howard typescript. First apperance here.
The book inscription shown on the back cover is from a book that is part of the Robert E. Howard Memorial Collection, Howard Payne University, Brownwood, TX.
The Howard materials are facsimile copies of his typescripts.
The letter from Novalyne Price is from the “Cross Plains Review”, a local newspaper.
“Letter of a Chinese Student” (1) and (2) are facsimile and retyped copies of articles from The Yellow Jacket, the newspaper of Howard Payne College. “Private Magrath of the A. E. F.” is a facsimile copy from the same newspaper.
“The Shadow in the Well”, “The Ghost in the Doorway” and “The Adventurer” are facsimile copies of Howard typescripts.
The cover for “Sailor Dorgan and the Jade Cobra” is from the Kline agency used in marketing the Howard story.
The Howard materials are facsimile copies of Howard typescripts.
The C. L. Moore letter to Howard is also a facsimile copy of a typescript.
“The Flavor of the Dance” is a photo of C. L. Moore taken in the 1930’s.
The check on the back cover is payment for “Vulture’s Sanctuary” and is endorsed by I. M. Howard.
The Howard materials (except for the back cover) are facsimiles of Howard typescripts.
The date on the Howard letter to H. P. Lovecraft is handwritten by Lovecraft.
The fragment on the back cover is a facsimile of a handwritten sheet; the top of the page was a school quiz, but Howard didn’t waste paper and used the bottom for a story fragment.
A chapbook from 1991. Edited by Rusty Burke.
The Dark Man #2: Journal of Robert E. Howard and Pulp Studies is a peer-reviewed scholarly journal devoted to the academic study of Robert E. Howard’s literary legacy as well as the literary historical and print culture contexts associated with it. The journal seeks to publish full-length articles, brief critical notes and commentaries, bibliographies, reviews of books, and other scholarship that treats Howard’s life, time, literary work, and associated topics such as Weird Tales, H.P. Lovecraft, and the concept of a transhistorical pulp fiction aesthetic.
SONGS OF GIANTS is a collection of some of the very best poetry written by three giants of pulp literature; Robert E. Howard, Edgar Rice Burroughs and H. P. Lovecraft. In March 2019 Mark Wheatley launched a Kickstarter and it was a giant success. In a short period of time it was funded by 293 backers which pledged $13,415 to bring the project to life.
Wheatley has brought the poems to life with illustrations inspired by the early, classic, golden age of pulp illustrators.
