Robert E. Howard’s writings
WritingPermanent catalogue Work

Intrigue in Kurdistan

2textual states7Characters
Genre
Desert Adventures

Introduction

Intrigue in Kurdistan is an unfinished El Borak story centered on Frank Gordon amid political and tribal conflict in Kurdistan. It was not published during Howard’s lifetime. The surviving narrative breaks off before the role of a European woman and the larger political situation are fully resolved.

Summary spoilers

The story begins in a confrontational setting where Frank Gordon, an American known as El Borak, is held captive by Turkish authorities. His captor, a Turkish official named Kemul Bey, inquires about Gordon's incendiary activities among the Kurdish tribes, aiming to unite them against Turkish rule. A Kurdish informant has betrayed Gordon, hoping for a reward.

Gordon admits his intentions without resistance, revealing his disdain for Turkish atrocities in various regions and his desire to see Turkey's power diminished. Despite his capture, he remains defiant, hinting at his influence over regional tribes and his past military ventures that spread from Afghanistan to Kurdistan.

Gordon's escape from custody is marked by cunning and brutality. He overpowers guards using minimal force and improvises weapons from his surroundings. His familiarity with the castle's ancient, complex architecture aids his stealthy movements through hidden passageways and secret staircases.

Throughout his escape, Gordon encounters various figures, including Turkish soldiers and Kurdish prisoners, further highlighting the tension between different ethnic groups and the occupying Turkish forces. His ultimate goal is revealed to be a strategic destabilization of Turkey by inciting Kurdish rebellion, hoping to draw Turkish forces away from Europe and weaken their geopolitical standing.

The narrative also introduces a mysterious European woman imprisoned in the castle, adding a layer of intrigue and hinting at broader political entanglements involving Western interests in the region.

Textual states

Shown in a practical developmental order where possible: synopsis/outline, numbered drafts, submission states, then published or posthumous states. This display order does not itself assert exact chronology or textual authority.

Characters in this Work

Counts are across exact Textual Versions currently represented. They are not assumed exhaustive until the underlying texts have been analyzed.

Publication appearances