The Dark Man V4N2 (#13): The Journal of Robert E. Howard Studies

Edited by Mark Hall. The Dark Man V4N2.

The Dark Man: Journal of Robert E. Howard and Pulp Studies is a peer-reviewed scholarly journal devoted to the academic study of Robert E. Howard’s literary legacy as well as the literary historical and print culture contexts associated with it. The journal seeks to publish full-length articles, brief critical notes and commentaries, bibliographies, reviews of books, and other scholarship that treats Howard’s life, time, literary work, and associated topics such as Weird Tales, H.P. Lovecraft, and the concept of a transhistorical pulp fiction aesthetic.

The Dark Man V4N1 (#12): The Journal of Robert E. Howard Studies

Edited by Mark Hall. The Dark Man V4N1.

The Dark Man: Journal of Robert E. Howard and Pulp Studies is a peer-reviewed scholarly journal devoted to the academic study of Robert E. Howard’s literary legacy as well as the literary historical and print culture contexts associated with it. The journal seeks to publish full-length articles, brief critical notes and commentaries, bibliographies, reviews of books, and other scholarship that treats Howard’s life, time, literary work, and associated topics such as Weird Tales, H.P. Lovecraft, and the concept of a transhistorical pulp fiction aesthetic.

Renegades and Rogues

The Barbaric Triumph: A Critical Anthology on the Writings of Robert E. Howard. The Barbaric Triumph examines all aspects of the life and work of Robert E. Howard — the originator of the sword-&-sorcery fantasy genre and the creator of Conan the Barbarian. Featured are essays by Leo Grin, Edwrad A. Waterman, Charles Hoffman, Paul Spencer, Mark Finn, Steven R. Trout, Lauric Guillaud, Scott Connors, George Knight, Don Herron, and more.

Strange Tales #7

The story, “The Cairn on the Headland”, is considered to be part of the Cthulhu Mythos. It was first published in this magazine. In this case mixed also with elements of both Norse Mythology and Catholic Christianity. in this case mixed also with elements of both Norse Mythology and Catholic Christianity.

The Dark Man V3N2 (#11): The Journal of Robert E. Howard Studies

Edited by Mark Hall. The Dark Man V3N2.

The Dark Man: Journal of Robert E. Howard and Pulp Studies is a peer-reviewed scholarly journal devoted to the academic study of Robert E. Howard’s literary legacy as well as the literary historical and print culture contexts associated with it. The journal seeks to publish full-length articles, brief critical notes and commentaries, bibliographies, reviews of books, and other scholarship that treats Howard’s life, time, literary work, and associated topics such as Weird Tales, H.P. Lovecraft, and the concept of a transhistorical pulp fiction aesthetic.

The Dark Man V3N1 (#10): The Journal of Robert E. Howard Studies

Edited by Mark Hall. The Dark Man V3N1. Contains several drafts of ‘The Isle of Eons’.

The Dark Man: Journal of Robert E. Howard and Pulp Studies is a peer-reviewed scholarly journal devoted to the academic study of Robert E. Howard’s literary legacy as well as the literary historical and print culture contexts associated with it. The journal seeks to publish full-length articles, brief critical notes and commentaries, bibliographies, reviews of books, and other scholarship that treats Howard’s life, time, literary work, and associated topics such as Weird Tales, H.P. Lovecraft, and the concept of a transhistorical pulp fiction aesthetic.

The Dark Man #9: The Journal of Robert E. Howard Studies

Edited by Mark Hall. The Dark Man V2N1/2.

The Dark Man: Journal of Robert E. Howard and Pulp Studies is a peer-reviewed scholarly journal devoted to the academic study of Robert E. Howard’s literary legacy as well as the literary historical and print culture contexts associated with it. The journal seeks to publish full-length articles, brief critical notes and commentaries, bibliographies, reviews of books, and other scholarship that treats Howard’s life, time, literary work, and associated topics such as Weird Tales, H.P. Lovecraft, and the concept of a transhistorical pulp fiction aesthetic.