Thrilling Adventures January 1935

Howard sold two stories to Thrilling Adventures. This issue contains ‘The Treasure of Tartary’. It was originally titled Gold From Tartary. It was received by Howard’s agent on 15 November 1933 and Howard earned $42.50 for its publication.

Kirby O’Donnell is a fictional character created by Robert E. Howard. He is an American treasure hunter in early-twentieth century Afghanistan disguised as a Kurdish merchant, “Ali el Ghazi”. Howard only wrote three stories about O’Donnell, one of which was not published within his lifetime.

O’Donnell searches the forbidden city of Shahrazar, ruled by the Uzbek Shaibar Khan, for the lost treasure of Khuwarezm (which, legend states, was hidden to protect it from Genghis Khan).

Spicy-Adventure Stories September 1936

Spicy-Adventure Stories September 1936, Volume 4 number 6. Contains THE DRAGON OF KAO TSU. She came from high society and she should have known she had no business associating with a gorilla like Wild Bill Clanton. However, the job she wanted done was plain burglary, and her code of honor wouldn’t let her turn thief!

Strange Tales #7

The story, “The Cairn on the Headland”, is considered to be part of the Cthulhu Mythos. It was first published in this magazine. In this case mixed also with elements of both Norse Mythology and Catholic Christianity. in this case mixed also with elements of both Norse Mythology and Catholic Christianity.

RGK: The Art of Roy G. Krenkel

A really beautiful book with artwork by Roy G. Krenkel. Krenkel was a huge Howard fan. Contains a two-part article about REH & RGK. The first by Richard Garryson, titled ‘Robert E. Howard’s Champion’ and the second by Donald M. Grant called ‘Thunder Road’.

The first major collection of the fantasy artist’s work in 20 years, this book is filled with classic and previously unseen portrayals of futuristic cities, prehistoric beasts, jungle men, bodacious beauties, and more. Providing a rich overview of Krenkel’s work, this book is profusely illustrated with 250 illustrations and photos-from his defining artwork on Tarzan, Conan, and Wizard of Oz, to his collaborations with Frank Frazetta.

Roy G. Krenkel: Father of Heroic Fantasy

A really beautiful book with artwork by Roy G. Krenkel. The main reason it is included here is that it has a whole chapter dedicated to Robert E. Howard. Krenkel was a huge Howard fan.

Krenkel illustrated numerous works by Edgar Rice Burroughs, as well as Robert E. Howard, Lin Carter, and more. But many of Krenkel’s works–what he called his “Doodles,” in a characteristically self-effacing manner–were rarely seen by even his biggest fans. And while many of Roy’s doodles were simple drawings, many were finished illustrations done for the pure pleasure of creating art. Most of the images in this book are published here for the very first time (courtesy of and with the full cooperation of the Krenkel Estate), and nearly all have been painstakingly scanned from the original art (in a manner akin to IDW’s Eisner Award-winning Artist’s Edition series) with the goal being to showcase Krenkel’s gorgeous original art in a way it has never been seen before. While the realms of science-fiction, heroic fantasy, paleontology, and historical reconstruction were particular specialties of Roy’s, his pen, brush, and palette knew no boundaries.

Avon Fantasy Reader #10

This issue contains the Conan story ‘A Witch Shall Be Born’. It also contains a story by H. P. Lovecraft. Avon Fantasy Reader was a digest size magazine (sometimes classed as a series of anthologies) which reprinted science fiction and fantasy literature by now well-known authors. It was edited by Donald A. Wollheim and published by Avon. The magazine had one spin off, Avon Science Fiction Reader, with which it merged on its cancellation to become Avon Science Fiction and Fantasy Reader.

The Magic Carpet Magazine January 1934

This issue actually contains two Howard stories. ‘Alleys of Darkness’ where he used the pseudonym Patrick Ervin and ‘The Shadow of the Vulture’. 

“The Shadow of the Vulture” is a short story, first published in The Magic Carpet Magazine, January 1934. The story introduces the character of Red Sonya of Rogatino, who later became the inspiration for the popular character Red Sonja, archetype of the chainmail-bikini clad female warrior. The latter has little in common other than the name and that she is a warrior.