The Beast from the Abyss
Introduction
The Beast from the Abyss is a reflective and contemplative piece by Robert E. Howard, shared in a letter (#268) to H.P. Lovecraft, circa November 1933. It delves deep into Howard's observations and philosophies regarding cats, their nature, and their relationship with humanity and the environment. Unlike a traditional short story with a linear narrative, this piece is more an essay that combines Howard's personal experiences with a broader commentary on cats as symbols of primordial life and uncaring survivalism.
I’m enclosing a piece written in an idle moment which I thought you might find amusing. No particular hurry about returning it. I don’t expect to sell the thing, though if I’m ever able, I may include it in a book of sketches and try to find a publisher.
Howard's piece is not just a reflection on cats but a philosophical exploration of the human condition, the natural world, and the thin veil that separates civilization from our more primal instincts. Through his detailed observations and narratives, Howard invites the reader to reconsider the nature of cats and their place in the world, as well as our own connections to the wild and the abyssal depths of existence.
The typescript can be read in Appendix One of The Collected Letters of Robert E. Howard, Volume 3.
Summary spoilers
Howard begins by recounting his exposure to the harsh realities of life in oil boom towns, comparing these human tragedies to the profound impact of witnessing a cat's suffering. This introduction sets the stage for a deeper exploration into the nature of cats and their paradoxical relationship with humans.
He reflects on the inherent wildness of cats, their undomesticated spirit, and how they serve as reminders of a primal past that humanity has long forgotten but which still lurks in our subconscious. Howard portrays cats as creatures of selfishness and survival, embodying traits that are both repellent and fascinating: vanity, greed, and a profound sense of self-centeredness.
Howard shares anecdotes to illustrate the cat's utilitarian relationship with humans, contrasting it with the dog's loyalty and service. He mentions a unique case of a cat "paying for its salt" through its owner's cunning rather than any inherent virtue of the cat itself.
Through his life experiences, Howard describes the transient and often mysterious nature of cats in his life, from the mongrel cats that came and went in his childhood to the profound impact of observing cats' survival instincts, their battles with rats, and the devastating effects of disease.
One particular cat, Blackface, is highlighted as an embodiment of feline mystique and survival. Blackface's behavior during times of plague and her mysterious disappearances and returns symbolize the cat's deep-rooted wildness and indomitable spirit.
Howard concludes by pondering the essence of cats, portraying them as embodiments of the dark, abyssal forces of nature. He reflects on the inevitability of death and the cat's role as a silent observer and beneficiary of the end of human life, ultimately casting cats as creatures of the abyss, untamed by civilization and deeply connected to the primitive forces of the universe.
Textual states
Shown in a practical developmental order where possible: synopsis/outline, numbered drafts, submission states, then published or posthumous states. This display order does not itself assert exact chronology or textual authority.
Publication appearances
The Howard Collector #15 (Volume 3 Number 3)Glenn LordAutumn 1971↗
The Howard Review #3Dennis McHaneyJune 1975↗
The Howard CollectorAceApril 1979↗
The Last Cat BookDodd, Mead & Company1984↗
Rod Serling's The Twilight Zone Magazine Volume 4 Number 3TZ publicationsJuly/August 1984↗
Cień bestii (The Shadow of the Beast)Wydawnictwo PiK1994↗
Il vento delle stelle. Storie in versi e noEdizioni Agpha PressJanuary 1998↗
The Howard Review #3 - Proof EditionDennis McHaney1998↗
Тень ястреба (Ten' Jastreba) ( Shadow Hawk ) P ublication information courtesy of the Russian website Laboratory of Fantasy .Северо-Запад (Severo-Zapad) (North-West)1998↗
Monolith 002Zagrebačka naklada1999↗
The Book of The Howard ReviewDennis McHaneyJune 2009 (Proof edition) | December 2010↗
A Means to Freedom: 1933-1936Hippocampus PressAugust 2009↗
Sentiment: An Olio of Rarer WorksREH Foundation PressDecember 2009↗
King Conan: The Hour of the Dragon #4Dark Horse ComicsAugust 2013↗
Graphic Classics Volume 25: Canine/Feline ClassicsEureka ProductionsJuly 2014↗
Post Oaks and Sand Roughs & Other Autobiographical WritingsREH Foundation PressJune 2019↗
Стальной к улак (Stal-noi kulak) (Iron Fist) Cover and p ublication information courtesy of the Russian website Laboratory of Fantasy .Подсолнухи (Sunflowers)2020↗
Delirio, Ciencia Ficción y Fantasía número 30 (Delirium, Science Fiction and Fantasy 30)La Biblioteca del Laberinto (Spain)Winter 2020↗
The Book of The Howard ReviewOld Tiger PressAugust 2021↗
The Collected Letters of Robert E. Howard Volume Three: 1933-1936 ultimateREH Foundation PressNovember 2022↗
Barbarie y Primigenios: La Correspondencia entre H. P. Lovecraft y Robert E. Howard - Tomo 3 (1934 - 1935 - 1936 + appendices)La Hermandad del Enmascarado (Spain)April 2024↗
The Robert E. Howard Foundation Newsletter v18 #2Robert E. Howard FoundationSummer 2024 (mailed late October 2024)↗