Search Results for: Lost
Howard sold two stories to Thrilling Adventures. This issue contains ‘The Treasure of Tartary’. It was originally titled Gold From Tartary. It was received by Howard’s agent on 15 November 1933 and Howard earned $42.50 for its publication.
Kirby O’Donnell is a fictional character created by Robert E. Howard. He is an American treasure hunter in early-twentieth century Afghanistan disguised as a Kurdish merchant, “Ali el Ghazi”. Howard only wrote three stories about O’Donnell, one of which was not published within his lifetime.
O’Donnell searches the forbidden city of Shahrazar, ruled by the Uzbek Shaibar Khan, for the lost treasure of Khuwarezm (which, legend states, was hidden to protect it from Genghis Khan).
Edited by Mark Hall. The Dark Man V6N1 & 2.
The Dark Man: Journal of Robert E. Howard and Pulp Studies is a peer-reviewed scholarly journal devoted to the academic study of Robert E. Howard’s literary legacy as well as the literary historical and print culture contexts associated with it. The journal seeks to publish full-length articles, brief critical notes and commentaries, bibliographies, reviews of books, and other scholarship that treats Howard’s life, time, literary work, and associated topics such as Weird Tales, H.P. Lovecraft, and the concept of a transhistorical pulp fiction aesthetic.
Edited by Mark Hall. The Dark Man V5N1.
The Dark Man: Journal of Robert E. Howard and Pulp Studies is a peer-reviewed scholarly journal devoted to the academic study of Robert E. Howard’s literary legacy as well as the literary historical and print culture contexts associated with it. The journal seeks to publish full-length articles, brief critical notes and commentaries, bibliographies, reviews of books, and other scholarship that treats Howard’s life, time, literary work, and associated topics such as Weird Tales, H.P. Lovecraft, and the concept of a transhistorical pulp fiction aesthetic.
Edited by Mark Hall. The Dark Man V4N2.
The Dark Man: Journal of Robert E. Howard and Pulp Studies is a peer-reviewed scholarly journal devoted to the academic study of Robert E. Howard’s literary legacy as well as the literary historical and print culture contexts associated with it. The journal seeks to publish full-length articles, brief critical notes and commentaries, bibliographies, reviews of books, and other scholarship that treats Howard’s life, time, literary work, and associated topics such as Weird Tales, H.P. Lovecraft, and the concept of a transhistorical pulp fiction aesthetic.
Wildside Press has published Robert E. Howard’s ten book series called Weird Works, which comprises Howard’s entire body of collected work published in the pulp magazine Weird Tales, and restored to the original magazine texts. Shadow Kingdoms: The Weird Works of Robert E. Howard is the first volume in this series.
Fanzine published by James Van Hise. Contains a very badly translated story from the Spanish comic book, lots of reviews and essays. It also features a story of Solomon Kane, written by Van Hise. Actually quite good.
H. P. Lovecraft and Robert E. Howard are two of the titans of weird fiction of their era. Dominating the pages of Weird Tales in the 1920s and 1930s, they have gained worldwide followings for their compelling writings and also for the very different lives they led. The two writers came in touch in 1930, when Howard wrote to Lovecraft via Weird Tales. A rich and vibrant correspondence immediately ensued. Both writers were fascinated with the past, especially the history of Roman and Celtic Britain, and their letters are full of intriguing discussions of contemporary theories on this subject.
Gradually, a new discussion came to the fore-a complex dispute over the respective virtues of barbarism and civilisation, the frontier and settled life, and the physical and the mental. Lovecraft, a scion of centuries-old New England, and Howard, a product of recently settled Texas, were diametrically opposed on these and other issues, and each writes compellingly of his beliefs, attitudes, and theories. The result is a dramatic debate-livened by wit, learning, and personal revelation-that is as enthralling as the fiction they were writing at the time. All the letters have been exhaustively annotated by the editors.
H. P. Lovecraft and Robert E. Howard are two of the titans of weird fiction of their era. Dominating the pages of Weird Tales in the 1920s and 1930s, they have gained worldwide followings for their compelling writings and also for the very different lives they led. The two writers came in touch in 1930, when Howard wrote to Lovecraft via Weird Tales. A rich and vibrant correspondence immediately ensued. Both writers were fascinated with the past, especially the history of Roman and Celtic Britain, and their letters are full of intriguing discussions of contemporary theories on this subject.
Gradually, a new discussion came to the fore-a complex dispute over the respective virtues of barbarism and civilisation, the frontier and settled life, and the physical and the mental. Lovecraft, a scion of centuries-old New England, and Howard, a product of recently settled Texas, were diametrically opposed on these and other issues, and each writes compellingly of his beliefs, attitudes, and theories. The result is a dramatic debate-livened by wit, learning, and personal revelation-that is as enthralling as the fiction they were writing at the time. All the letters have been exhaustively annotated by the editors.
“The Sowers of the Thunder” is a historical fiction short story by American writer Robert E. Howard, originally published in Oriental Stories, Winter 1932. It takes place in Outremer (the Crusader states) in the time of General Baibars and deals with the General’s friendly/adversarial relationship with Cahal Ruadh O’Donnell, an Irish Crusader with a troubled past cut in the Howardian mold. Both the Siege of Jerusalem (1244) and the Battle of La Forbie feature in the plot.











