Contains 24 stories, many of which are rarely seen action, western, and boxing tales featuring characters such as Breckinridge Elkins. “Blow the Chinks Down!” and “Dark Shanghai” are being presented here in English for the first time since their original pulp appearances.
The Return of Conan is the sixth book published by Gnome, but for some reason considered the last in the series. It contains four stories originally written by Howard, but changed into Conan stories by L. Spraque de Camp. Since de Camp was interested in placing the stories chronologically, the four short stories collected as Tales of Conan represent an add-on to Gnome’s Conan series, coming between stories published in the remaining volumes. The first “tale” would fall within the collection The Coming of Conan, the second between that volume and the collection Conan the Barbarian, the third within Conan the Barbarian, and the fourth between that volume and the collection The Sword of Conan.
Conan the barbarian the FIFTH published, but the second book in the series, published and contains five Conan stories. Black Colossus, Shadows in the Moonlight, A Which Shall Be Born, Shadows in Zamboula and The Devil in Iron.
Special 30 year anniversary issue of REH: Two-Gun Raconteur with articles written by women about Robert E. Howards female characters. Nice article about Howard, Novalyne and the Whole Wide World movie.
King Conan is the fourth published and contains several Howard stories (see notes and contents).
The Gnome Press edition of Conan was the first hardcover collection of Howard’s Conan stories, including all the original Howard material known to exist at the time, some left unpublished in his lifetime. Not published in order of previous publication, Gnome’s volumes were organized to present the stories in order of their internal chronology, the sole exception being Tales of Conan, which skipped around to present random episodes from various points in the protagonist’s career. Some stories in two of the later volumes (The Coming of Conan and King Conan) were completed or revised by L. Sprague de Camp; another (Tales of Conan) consisted of non-Conan Howard stories that de Camp rewrote as Conan yarns. The last published volume of the Gnome edition was the first Conan story by an author other than Howard, namely Björn Nyberg, and was revised by de Camp.
‘The Dark Man: Journal of Robert E. Howard and Pulp Studies’ is a peer-reviewed scholarly journal devoted to the academic study of Robert E. Howard’s literary legacy as well as the literary historical and print culture contexts associated with it. The journal seeks to publish full-length articles, brief critical notes and commentaries, bibliographies, reviews of books, and other scholarship that treats Howard’s life, time, literary work, and associated topics such as Weird Tales, H.P. Lovecraft, and the concept of a transhistorical pulp fiction aesthetic.
‘The Dark Man: Journal of Robert E. Howard and Pulp Studies’ is a peer-reviewed scholarly journal devoted to the academic study of Robert E. Howard’s literary legacy as well as the literary historical and print culture contexts associated with it. The journal seeks to publish full-length articles, brief critical notes and commentaries, bibliographies, reviews of books, and other scholarship that treats Howard’s life, time, literary work, and associated topics such as Weird Tales, H.P. Lovecraft, and the concept of a transhistorical pulp fiction aesthetic.
‘The Dark Man: Journal of Robert E. Howard and Pulp Studies’ is a peer-reviewed scholarly journal devoted to the academic study of Robert E. Howard’s literary legacy as well as the literary historical and print culture contexts associated with it. The journal seeks to publish full-length articles, brief critical notes and commentaries, bibliographies, reviews of books, and other scholarship that treats Howard’s life, time, literary work, and associated topics such as Weird Tales, H.P. Lovecraft, and the concept of a transhistorical pulp fiction aesthetic.
‘The Dark Man: Journal of Robert E. Howard and Pulp Studies’ is a peer-reviewed scholarly journal devoted to the academic study of Robert E. Howard’s literary legacy as well as the literary historical and print culture contexts associated with it. The journal seeks to publish full-length articles, brief critical notes and commentaries, bibliographies, reviews of books, and other scholarship that treats Howard’s life, time, literary work, and associated topics such as Weird Tales, H.P. Lovecraft, and the concept of a transhistorical pulp fiction aesthetic.
‘The Dark Man: Journal of Robert E. Howard and Pulp Studies’ is a peer-reviewed scholarly journal devoted to the academic study of Robert E. Howard’s literary legacy as well as the literary historical and print culture contexts associated with it. The journal seeks to publish full-length articles, brief critical notes and commentaries, bibliographies, reviews of books, and other scholarship that treats Howard’s life, time, literary work, and associated topics such as Weird Tales, H.P. Lovecraft, and the concept of a transhistorical pulp fiction aesthetic.
