‘The Dark Man: Journal of Robert E. Howard and Pulp Studies’ is a peer-reviewed scholarly journal devoted to the academic study of Robert E. Howard’s literary legacy as well as the literary historical and print culture contexts associated with it. The journal seeks to publish full-length articles, brief critical notes and commentaries, bibliographies, reviews of books, and other scholarship that treats Howard’s life, time, literary work, and associated topics such as Weird Tales, H.P. Lovecraft, and the concept of a transhistorical pulp fiction aesthetic.
Contents
- 4 • Editorial (The Dark Man: The Journal of Robert E. Howard and Pulp Studies, December 2020) • essay by Jason Ray Carney and Nicole Emmelhainz [as by Jason Ray Carney and Nicole Emmelhainz-Carney]
- 6 • Harsh Sentences: H.P. Lovecraft vs. Ernest Hemingway • scholarly note by Bobby Derie
- 18 • A Publication History of The Dark Man • scholarly note by Luke E. Todd
- 25 • Illustrated Auguries: Images Out of Time • article by Phil Emery
- 36 • Deviations from Realism in High and Low Literature • article by Jason Ray Carney
- 75 • Emerging Voices (Undergraduate): Cosmic Horror: Lost in Translation • essay by Jacob Lindner
- 86 • A Brief Analysis of the Aesthetic of Weird Tales • essay by Mara Tharp
- 95 • Book: The Conan Companion, Richard Toogood • review by Gary Romeo
- 98 • Book: Fantastic Paintings of Frazetta by J. David Spurlock • review by Dierk Günther
Notes
Editors: Jason Ray Carney and Nichole Emmelhainz-Carney
Volume 11, number 2.
Covers and last (blank) page have no page numbers.
