WritingPermanent catalogue Work

Diogenes of Today

2textual states21Characters
Genre
Satirical Fiction

Introduction

The collaboration between Tevis Clyde Smith and Robert E. Howard on "Diogenes of Today" presents a fascinating study in creative partnership. Both authors, hailing from Texas, shared not only a deep friendship but also a mutual interest in literature, history, and storytelling that transcended the typical boundaries of their time. Their decision to write a story together, alternating pages, allowed for a unique blend of their distinct voices and perspectives.

Smith and Howard's writing process for this story—a back-and-forth exchange where each contributed a page in turn—enabled a dynamic and spontaneous storytelling method. This approach likely infused the narrative with a diverse range of ideas, tones, and directions, reflecting the confluence of their individual talents and imaginations. The initial intent to craft a tale of "bitter and sophisticated disillusionment" gradually giving way to "full-blooded Gargantuan mirth" suggests a creative journey that was as unpredictable to them as it is engaging to the reader. This evolution from a polished and bitter tone to one of candid humor not only signifies their flexibility as writers but also their willingness to let the story naturally evolve beyond its original premise.

Furthermore, their collaboration on "Diogenes of Today" showcases their ability to critique and satirize societal norms and personal expectations through the lens of humor and irony. The narrative’s shift from a critique of city life to an equally satirical view of rural simplicity exemplifies their shared skill in using satire to expose the complexities and contradictions of human nature and societal constructs. This story, therefore, stands as a testament to their collaborative genius, highlighting their capacity to blend humor with insightful commentary on the human condition.

Given the restrictions of their era’s publishing standards, particularly the norms and taboos surrounding humor and satire, Smith and Howard's decision to pursue a narrative that would likely be barred from contemporary magazines speaks to their commitment to creative freedom and expression. Their partnership in writing "Diogenes of Today" not only contributed a unique piece to their literary legacies but also provided a window into the playful yet profound synergy that characterized their friendship and collaborative work.

Through this collaboration, Smith and Howard create a narrative that oscillates between humor and cynicism, using Walter Simpson's journey as a vehicle to explore and critique human nature, social expectations, and the elusive search for authenticity.

Story / Summary spoilers

"Diogenes of Today" is a satirical tale that delves into the disillusionment of Walter Simpson with the fast-paced and deceitful lifestyle of city dwellers, particularly focusing on his romantic entanglements. The story, a collaboration between Tevis Clyde Smith and Robert E. Howard, begins with Walter confronting his ideal girl in New York, only to realize she has been unfaithful and represents everything he despises about city life. In a moment of epiphany, he decides to leave the city in search of genuine and innocent country women, hoping to find solace and truthfulness absent in his urban experiences.

The narrative follows Walter's journey into the countryside, where his ideals and expectations are consistently challenged and upended. Initially, he seeks the simplicity and purity he associates with rural life, only to encounter greed, deception, and coarseness that rival, if not exceed, the moral bankruptcy he fled. His interactions with various country folks – from a farmer's extortionate charge for a meal to a young man's aggressive misunderstanding over his wife – serve to disillusion him further.

Walter's adventures reach a climax when he meets Marandy, a young woman who initially seems to embody the innocence and virtue he longs for. However, this illusion is shattered when Marandy and her friends display behavior and attitudes as corrupted and shallow as those Walter left behind in the city. His confrontation with Zeke Spigbee and the subsequent revelation of Marandy's true nature lead Walter to a profound realization about the ubiquity of human vice, regardless of geography.

The story concludes with Walter's return to New York, a city he had scorned, only to find comfort in its familiarity. His attempt to reconnect with Dumpums, a woman from his past, ends in the realization that he has missed his chance with her as well, cementing the story's theme of disillusionment and the futile search for purity in a morally complex world.

Textual states

Shown in a practical developmental order where possible: synopsis/outline, numbered drafts, submission states, then published or posthumous states. This display order does not itself assert exact chronology or textual authority.

From the letters

In February 1929 Howard wrote to Smith (letter #101) and listed a lot of his titles, sales and rejections. From this letter we also learn:

This isn’t the whole list of course, but I haven’t forgotten more than four or five stories. Of course I started scores which I never completed, and completed several which I never sent off, but this list comprises the majority of those I did send off. In addition, I collaborated with one Clyde Smith on a short story and rewrote a novel, to say nothing of writing a novel on my own.

Howard shows some humor in referring to "one Clyde Smith" in the letter. The story is of course "Diogenes of Today". The first novel mentioned was R. Fowler Gafford’s West of the Rio Grande (unpublished) and his own novel was Post Oaks and Sand Roughs.

Credits / thanks:

  • Special thanks to Rob Roehm for providing me with digital texts.

Characters in this Work

Counts are across exact Textual Versions currently represented. Additional textual research may add further appearances.

Publication appearances