Introduction
“The Slayer” is an unfinished (1500 words) story that explores the political and supernatural dynamics among the Masai tribes in Africa. The narrative follows the protagonist, a young white man, as he becomes entangled in the struggle between two rival Masai chiefs, Kovaro and Ka’saangu. Themes of friendship, loyalty, and the clash between traditional beliefs and external influences are central to the story.
Summary
The story begins with a conversation between the unnamed narrator and Unlanga, a Zulu warrior. Unlanga explains that he is a friend of the whites and introduces Kovaro, the chief of the mountain Masai, who also holds friendly relations with white men. The scene is set against the backdrop of Mount Kenya to the northeast and rugged hills to the south.
Unlanga describes the division among the mountain Masai into two factions: one led by the Great Chief Kovaro and the other by Ka’saangu. The balance of power between these factions is delicate, with the potential for widespread violence if the ju-ju man, Gula, incites war. Gula is known for his powerful magic and influence over the tribes.
Unlanga recounts how several chiefs who opposed Ka’saangu mysteriously died, seemingly slain by an invisible force known as the Slayer. These deaths occurred despite the chiefs being surrounded by sleeping warriors, indicating supernatural involvement. Unlanga, along with two loyal Masai warriors, seeks the narrator’s help to prevent further bloodshed and protect Kovaro.
Despite his youth and inexperience in Africa, the narrator is sought after because he previously defeated a notorious fetish-man, Senecoza, in a strange duel. Unlanga believes the narrator’s reputation will intimidate Gula.
The narrator agrees to help and rides with Unlanga towards Kovaro’s village. Along the way, Unlanga shares stories of Zulu history and battles, explaining his exile due to political threats in his homeland. As they approach Kovaro’s village, the narrator observes the disciplined and formidable Masai warriors.
Upon arrival, the narrator is formally received by Kovaro and his warriors. Through Unlanga’s interpretation, they exchange polite remarks to disguise the true purpose of the visit. Kovaro is described as a smaller man compared to his warriors but holds great authority.
During the meeting, Gula the ju-ju man arrives, instilling fear among the gathered natives. Gula is an old, shriveled figure adorned with various charms and accompanied by a flying monkey, a creature regarded as a powerful ju-ju. The tension between Gula’s supernatural influence and the narrator’s mission to protect Kovaro sets the stage for an impending confrontation.
Characters
- Unlanga: A Zulu warrior and spearman from the impi of Cetawayo, who seeks to protect Kovaro and maintain peace among the Masai. He serves as a guide and intermediary for the narrator.
- Kovaro: The Great Chief of the mountain Masai, who is a friend of the whites and opposes Ka’saangu’s ambitions. He seeks to prevent war and maintain his leadership.
- Ka’saangu: A rival chief of the mountain Masai, known for his cruelty and opposition to Kovaro. He is supported by the ju-ju man Gula and aims to incite conflict.
- Gula: The ju-ju man, a powerful and feared figure among the Masai. He uses his supernatural abilities to support Ka’saangu and intimidate others. He is accompanied by a flying monkey.
- Narrator (unnamed): A young white man with a reputation for defeating Senecoza, a fetish-man. He is sought after to help protect Kovaro and counter Gula’s influence.
Published in:
- THE LAST OF THE TRUNK OCH BREV I URVAL, Paradox Entertainment, March 2007
- THE LAST OF THE TRUNK, Robert E. Howard Foundation Press, November 2007
- ÉCHOS DE CIMMÉRIE, Les Editions de l’Oeil du Sphinx, June 2009
- PICTURES IN THE FIRE, REH Foundation Press, June 2018