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Cover of The Dark Man V8N1 (#19): The Journal of Robert E. Howard Studies
About Robert E. Howard
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The Dark Man V8N1 (#19): The Journal of Robert E. Howard Studies

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Publication date: December 2015

Introduction

25th Anniversary Issue of 'The Dark Man: Journal of Robert E. Howard and Pulp Studies' is a peer-reviewed scholarly journal devoted to the academic study of Robert E. Howard's literary legacy as well as the literary historical and print culture contexts associated with it. The journal seeks to publish full-length articles, brief critical notes and commentaries, bibliographies, reviews of books, and other scholarship that treats Howard's life, time, literary work, and associated topics such as Weird Tales, H.P. Lovecraft, and the concept of a transhistorical pulp fiction aesthetic.

Notes

Editors: Scott Connors, Mark Finn, Charles Gramlich, Mark Hall, Jeffrey Kahan, Gene Melton II, Jeffrey Shanks
An e-book edition was also published.

Edition and production details

Format
Periodical (perfect bound, 5.5 x 8.5) | eBook (Kindle)
Publication date
December 2015
Pages
132
Publisher / imprint
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Cover art
Photo of REH
Illustrations
August Spaenkuch

26 contents entries

  1. Editorials
  2. Editorial: Twenty-Five Years Young! • essay by Mark Hall [as by Mark E. Hall] 4 · editorial
  3. "Twenty-Five Years Young!" by Mark E. Hall
  4. Editorial: Reflections • essay by Rusty Burke 5 · editorial
  5. "Reflections" by Rusty Burke
  6. Editorial: On Editing Robert E. Howard • essay by Chris Gruber 7 · editorial
  7. "On Editing Robert E. Howard" by Chris Gruber
  8. Editorial: My Robert E. Howard PhD Adventure • essay by Patrick R. Burger 9 · editorial
  9. "Mr. Robert E. Howard PhD Adventure" by Patrick R. Burger
  10. On the Precipice of Fascism: The Mythic and the Political in the Work of Robert E. Howard and Ernst Jünger • essay by Patrick R. Burger 23 · essay
  11. Letter
  12. The Influence of Joseph A. Altsheler's "Apache Gold" on Howard's "The Haunted Mountain" • essay by Robert M. McIlvaine [as by Robert McIlvaine] 44 · essay
  13. Comments on Finn's "Less an Archive, Moore an Agenda" by Todd Vick
  14. Literary Gothicism in Robert E. Howard's "Red Nails" • essay by Matthew Cirilli 51 · essay
  15. Abstract
  16. Berserker Synecdoche: Howard's Aesthetic of Violence • essay by Philip Emery 70 · essay
  17. "On the Precipice of Fascism: The Mythic and the Political in the Work of Robert E. Howard and Ernst Jünger" by Patrick R. Burger
  18. The Outsider Scholar: Robert E. Howard, H. P. Lovecraft, and Scholarly Identity • essay by Karen Kohoutek 85 · essay
  19. Articles
  20. Disintegrating Verse: The Poetry of the Shadow Modernists and the Ephemerality of the Ordinary • essay by Jason Ray Carney 118 · essay
  21. "The Influence of Joseph A. Altsheler's APACHE GOLD on Howard's The Haunted Mountain " by Robert McIlvaine
  22. "Literary Gothicism in Robert E. Howard's Red Nails " by Matthew Cirilli
  23. "Berserker Synecdoche: Howard's Aesthetic of Violence" by Philip Emery
  24. Papers from the Popular Culture Association Meetings
  25. "The Outsider Scholar: Robert E. Howard, H. P. Lovecraft, and Scholarly Identity" by Karen Kohoutek
  26. "Disintegrating Verse: The Poetry of the Shadow Modernists and the Ephemerality of the Ordinary" by Jason Ray Carney

Contributors

August Spaenkuch
Illustrator

Additional related terms

Preserved from the former REH World tagging system; these terms have not yet been assigned as contributors, characters or subjects.

Bibliographic and editorial layers

Howard Works source layer

Title
The Dark Man Volume 8 Number 1: The Journal of Robert E. Howard Studies
Publisher
CreateSpace
Date
December 2015
Source file
Darkman19-V8N1-CreateSpace.html

REH World editorial layer

Title
The Dark Man V8N1 (#19): The Journal of Robert E. Howard Studies
Publisher
CreateSpace
Date
December 2015
Source provenance

This record combines the preserved Howard Works bibliography with a reviewed REH World editorial overlay. Editorial values are displayed when present; Howard Works remains the source and fallback.