Weird Tales 1929 September

“The Mirrors of Tuzun Thune” is a fantasy short story by American author Robert E. Howard, one of his original short stories about Kull of Atlantis, first published in Weird Tales magazine c. 1929. It is one of only three Kull stories to be published in Howard’s lifetime.

Weird Tales 1929 August

“The Shadow Kingdom” is a fantasy short story by American writer Robert E. Howard, the first of his Kull stories, set in his fictional Thurian Age. It was first published in the pulp magazine Weird Tales in August 1929.

The story introduces Kull himself, the setting of Valusia, Brule the Spear-Slayer (a supporting character), and the Serpent Men (who don’t appear in any other work by Howard, but were adopted by later authors for derivative works and inclusion in the Cthulhu Mythos).

The Cimmerian #3 volume 1

Features full coverage of Howard Days 2004, including thousands of words of commentary from numerous attendees, many pictures from the event, a transcript of the keynote address at the Howard Days banquet, a recollection of meeting someone who knew Howard, a poetic tribute to Howard by Frank Coffman, Letters, Announcements, and more.

The Cimmerian #2 volume 1

Issue 2 of The Cimmerian. Edited by Leo Grin | Illustrated by Jason Castagna – 40 pages.

This issue was printed in two editions. The deluxe edition, numbered 1–75, uses a black linen cover with foil-stamped blood-red text. The limited edition, numbered 76–225, uses a blood-red cover with solid black text.

The Cimmerian #1 volume 1

Issue 1 of The Cimmerian. Edited by Leo Grin | Illustrated by Jason Castagna – 40 pages.

This issue was printed in two editions. The deluxe edition, numbered 1–75, uses a black linen cover with foil-stamped blood-red text. The limited edition, numbered 76–225, uses a blood-red cover with solid black text.

Weird Tales 1929 December

Skull-Face is a fantasy novella by American writer Robert E. Howard, which appeared as a serial in Weird Tales, beginning in October 1929, and ending in December, 1929. The story stars a character called Steve Costigan but this is not Howard’s recurring character, Sailor Steve Costigan. The story is clearly influenced by Sax Rohmer’s opus Fu Manchu but substitutes the main Asian villain with a resuscitated Atlantean necromancer (similar to Kull’s bit character Thulsa Doom) sitting at the center of a web of crime and intrigue meant to end White/Western world domination with the help of Asian/semite/African peoples and to re-instate surviving Atlanteans (said to lie dormant in submerged sarcophagi) as the new ruling elite.