The book collects nine classic fantasy short stories by various authors, along with associated commentary by the editor and personages associated with the stories. It is notable for issuing the two original versions of Howard’s Conan story “The Frost-Giant’s Daughter”, one for the first time since its original publication, and the other for the first time in print.
This anthology contains BLACK EONS which is a story based on an unfinished and untitled fragment by Robert E. Howard. The fragment was posthumously completed and named by Robert M. Price, a writer known for his contributions to the Cthulhu Mythos and pulp fiction genres. This collaboration blends Howard’s original vision with Price’s expertise in cosmic horror, a genre epitomized by H.P. Lovecraft.
Lovecraft Mythos is an anthology of Cthulhu Mythos fiction edited by Robert M. Price and published by Fedogan & Bremer in 1992.
Seven Classic Tales! Western Classics features an adaptation of Zane Grey’s grand western prototype, “Riders of the Purple Sage”, illustrated by Cynthia Martin. Plus stories by Bret Harte, Willa Cather, Gertrude Atherton, and John G. Neihardt, with art and adaptations by Trina Robbins, John Findley, Mark A. Nelson, George Sellas, Reno Maniquis, and Ryan Huna Smith. Also included is an early Hopalong Cassidy story illustrated by original “Hoppy” newspaper strip artist Dan Spiegle, and the comic western “Knife-River Prodigal” by Robert E. Howard.
Trumpet #7. The “Sketches” by Robert E. Howard all appeared in “The Junto”, the single-copy circulating magazine produced by Howard and his friends.
Contains a selection of letters by Robert E. Howard to H.P. Lovecraft, R.H. Barlow, August Derleth, Clark Ashton Smith and others plus an illustrated Howard Alphabet.
Kull. Published by Bantam Books in 1978. Cover by Lou Fleck. This edition removes the changes made by Lin Carter in the Lancer edition titled King Kull.
“Black Eons” is a story based on an unfinished and untitled fragment by Robert E. Howard. The fragment was posthumously completed and named by Robert M. Price, a writer known for his contributions to the Cthulhu Mythos and pulp fiction genres. This collaboration blends Howard’s original vision with Price’s expertise in cosmic horror, a genre epitomized by H.P. Lovecraft.
“Robert E. Howard’s Lord of the Dead,” a 1992 release by Conquest Press, is a graphic adaptation that brings one of Howard’s stories to the comic medium. The adaptation, skillfully crafted by Richard A. Lupoff, and illustrated by Felix Ortega (using the pen name Pablo Marcos), captures the essence of Howard’s storytelling. The comic features cover art by Marcus Boas and is enhanced by Susan Dorne’s lettering, under the editorial direction of Alphonso D.J. Alphonso.
This is the Graphic adaptation of Howard’s LORD OF THE DEAD.
“The Vultures of Whapeton,” the first comic book release by Conquest Press, is an important piece in the collection of Robert E. Howard’s comic adaptations. It showcases Steve Gan’s art and David C. Smith’s adaptation of Howard’s story. Additionally, the comic features an article by Fred Blosser, providing further insight into Howard’s work.
