“The Vultures of Whapeton,” the first comic book release by Conquest Press, is an important piece in the collection of Robert E. Howard’s comic adaptations. It showcases Steve Gan’s art and David C. Smith’s adaptation of Howard’s story. Additionally, the comic features an article by Fred Blosser, providing further insight into Howard’s work.
Robert E. Howard created the character Terence Vulmea or Black Vulmea. This is a pastiche by David C. Smith.
She was a recklessly attractive woman, this Katherine O’Donnell. Fully rigged in the outlaw fashion of her crew, her wild red hair falling away loosely down her shoulders, and with eyes like chips of green flame, she looked worthy of the name that followed her about: THE WITCH OF THE INDIES.
He was a giant of a man, with beard and hair that flowed like black flame, a brace of pistols about his waist and dagger in his hand. There was no match for him on any of the seas; he knew no superstition. But he knew fear when he was challenged by the red-haired wench, he whom they called BLACK VULMEA.
Robert E. Howard created the character Bran Mak Morn. This is a pastiche by David C. Smith and Richard L. Tierney. The story centers around Bran being captured by Roman soldiers, fighting in the arena, his escape, and recovery and protection of the Witch of the Mists, a powerful demi-god reborn as a human girl.
Chacal #2 contains ‘Daughter of Evil’ and ‘Palace of Bast’, two poems by Howard. Chacal was a US slick-format small-press Magazine. 2 issues was published (Winter 1976, Spring 1977) . The title is French for jackal.Among the first quality Small-Press magazines, Chacal grew from REH: Lone Star Fictioneer, a fanzine devoted to Robert E Howard. The focus remained mostly on Sword and Sorcery, with stories by David C Smith and Karl Edward Wagner.
Chacal was a US slick-format small-press Magazine. 2 issues was published (Winter 1976, Spring 1977) . The title is French for jackal.
Among the first quality Small-Press magazines, Chacal grew from REH: Lone Star Fictioneer, a fanzine devoted to Robert E Howard. The focus remained mostly on Sword and Sorcery, with stories by David C Smith and Karl Edward Wagner.
ROBERT E. HOWARD CHANGED MY LIFE is a brand-new way of understanding how the Texas author’s legacy continues today. 33 contributors long familiar with the man and his creations share how he impacted their lives and continues to impact modern entertainment. This is an intimate look at the changes wrought personally and professionally by the Father of Sword-and-Sorcery and a Founder of American Fantasy.
‘The Dark Man: Journal of Robert E. Howard and Pulp Studies’ is a peer-reviewed scholarly journal devoted to the academic study of Robert E. Howard’s literary legacy as well as the literary historical and print culture contexts associated with it. The journal seeks to publish full-length articles, brief critical notes and commentaries, bibliographies, reviews of books, and other scholarship that treats Howard’s life, time, literary work, and associated topics such as Weird Tales, H.P. Lovecraft, and the concept of a transhistorical pulp fiction aesthetic.
David C. Smith looks at all the major and/or significant tales from Howard’s Underwood. Starting with “Spear and Fang” and on up through Bob’s last yarns written in 1936. While every Howard fan has his own list of favorites and his own interpretations thereof, Smith does a solid job of identifying and explicating the standout stories from REH’s career.
Edited by Mark Hall. The Dark Man V7N1.
The Dark Man: Journal of Robert E. Howard and Pulp Studies is a peer-reviewed scholarly journal devoted to the academic study of Robert E. Howard’s literary legacy as well as the literary historical and print culture contexts associated with it. The journal seeks to publish full-length articles, brief critical notes and commentaries, bibliographies, reviews of books, and other scholarship that treats Howard’s life, time, literary work, and associated topics such as Weird Tales, H.P. Lovecraft, and the concept of a transhistorical pulp fiction aesthetic.
Cover is a photo of Hester Jane Ervin Howard (Robert E. Howard’s mother) and Patch, Howard’s dog.
Gates of Empire part 1 of 2.
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