“Black Canaan” is a short story originally published in the June 1936 issue of Weird Tales. It is a regional horror story in the Southern Gothic mode, one of several such tales by Howard set in the piney woods of the ArkLaTex region of the Southern United States. The related stories include “The Shadow of the Beast”, “Black Hound of Death”, “Moon of Zambebwei” and “Pigeons from Hell”.

Most likely the original form of the story “Black Canaan” before changes made in response to editorial requirements. The original script was sent to Otis Adelbert Kline in Chicago who forwarded it to Jessica Miller in New York. No records survive to indicate what magazines the story was submitted to or what editorial requirements, if any, were made on the story. REH withdrew the script, rewrote it, and resubmitted it to Kline. Kline sent it to WEIRD TALES and it was accepted.

After publication of the first printing of PICTURES IN THE FIRE, it was discovered that the typescript used for “Black Canaan” was Howard’s final version, rather than the earlier version that was intended. To correct the error, the REH Foundation Press issued this chapbook and included it with copies of the first print run.

Future print runs of PICTURES IN THE FIRE will have the early version of “Black Canaan” included in the book. The text for this alternate version of “Black Canaan” came from copies of REH’s original typescript that were provided by the Glenn Lord Collection.

“Black Canaan” was inspired by the legend of Kelly the Conjure-man. In late 1930, Howard wrote a long letter to H. P. Lovecraft concerning the history and lore of the South and Southwest. He mentions the Scotch-Irish settlement of Holly Springs, Arkansas, where his grandfather William Benjamin Howard settled in 1858. After recounting some of the local history, Howard goes on to write:

Probably the most picturesque figure in the Holly Springs country was Kelly the ‘conjer man,’ who held sway among the black population of the `70s. Son of a Congo ju-ju man was Kelly, and he dwelt apart from his race in silent majesty on the river… He lifted ‘conjers’ and healed disease by incantation and nameless things made of herbs and ground snake bones… Later he began to branch into darker practices… [T]he black population came to fear him as they did not fear the Devil, and Kelly assumed more and more a brooding, satanic aspect of dark majesty and sinister power; when he began casting his brooding eyes on white folks as if their souls, too, were his to dandle in the hollow of his hand, he sealed his doom…They began to fear the conjure man and one night he vanished…

— Robert E. Howard, Letter to H. P. Lovecraft

In Howard’s following letter to Lovecraft, he responds to the latter’s suggestion that he make use of Kelly in his fiction; “Kelly the conjure-man was quite a character, but I fear I could not do justice to such a theme as you describe.”[7] However, despite Howard’s reticence, Kelly did begin to find a way into his writing.

In the letter in which he first mentions Kelly, Howard thanks Lovecraft for putting him in touch with William B. Talman. Talman was an employee of Texaco, and wrote to Howard concerning contributions to his company periodical, The Texaco Star. Howard’s article “The Ghost of Camp Colorado” appeared in The Texaco Star a few months later in April 1931.

It was also in 1931 that Howard submitted a follow-up article to The Texaco Star entitled “Kelly the Conjure-Man.” The article begins:

About seventy-five miles north-east of the great Smackover oil field of Arkansas lies a densely wooded country of pinelands and rivers, rich in folklore and tradition. Here, in the early 1850s came a sturdy race of Scotch-Irish pioneers pushing back the frontier and hewing homes in the tangled wilderness.
Among the many picturesque characters of those early days, one figure stands out, sharply, yet dimly limned against a background of dark legendry and horrific fable — the sinister figure of Kelly, the black conjurer.

— Robert E. Howard, Kelly the Conjure-Man

From there Howard expands on the story of Kelly as recounted to Lovecraft.

“Kelly the Conjure-Man” was rejected by The Texaco Star and only saw publication decades after Howard’s death. However, a seed had been planted in Howard’s imagination to germinate for several years. Eventually Howard recast Kelly as Saul Stark in “Black Canaan.”

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