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Spears of Clontarf – Early Draft

Published by the REH Foundation Press to commemorate the 1000th anniversary of the Battle of Clontarf. Facsimile copies. The letter to Harry Bates was written sometime in 1931, and sent as a cover for Howard’s submission of SPEARS OF CLONTARFT to Soldier of Fortune magazine. This is the earliest known draft.

Spears of Clontarf

Howard’s first version (as Spears of Clontarf) finally saw print in a chapbook in 1978, and his Grey God Passes version was also published posthumously in the anthology collection titled Dark Mind, Dark Heart in 1962.

Spears of Clontarf

Howard first wrote a version of this story called “Spears of Clontarf”, but it was rejected by “Soldiers of Fortune” magazine. He then added fantasy elements to the story so as to be able to submit it to the Weird Tales magazine under the title The Grey God Passes, where it was also rejected by editor Farnsworth Wright in December, 1931. He then rewrote it a third time, as a horror story called The Cairn on the Headland, and that version was published in the January, 1933 issue of Strange Tales.

The Cairn on the Headland

A short story with elements of fantasy and horror. As often in Howard’s stories, there is a link to the Cthulhu Mythos, in this case, mixed also with elements of both Norse Mythology and Catholic Christianity.

It has a rather convoluted history, being in effect an adaptation of Howard’s earlier story Spears of Clontarf, a historical adventure story by Howard focusing on the Battle of Clontarf (1014) and featuring Turlogh Dubh O’Brien or Black Turlogh, a fictional 11th Century Irishman created by Howard. Howard later rewrote “Spears” as “The Grey God Passes”, which was very similar to Spears of Clontarf, but with added fantasy elements. Howard failed to sell the story in either version during his lifetime.

The Grey God Passes

Howard first wrote a version of this story called “Spears of Clontarf”, but it was rejected by “Soldiers of Fortune” magazine. He then added fantasy elements to the story so as to be able to submit it to the Weird Tales magazine under the title The Grey God Passes, where it was also rejected by editor Farnsworth Wright in December, 1931. He then rewrote it a third time, as a horror story called The Cairn on the Headland, and that version was published in the January, 1933 issue of Strange Tales.

The Grey God Passes

“The Grey God Passes” is a vivid tale set during a tumultuous period in Irish history, focusing on the Battle of Clontarf and the symbolic end of the Norse gods’ influence over the region.

The story begins with Conn, a thrall (slave), confronting a mysterious stranger who knows of Conn’s killing of his master, Wolfgar Snorri’s son. The stranger, later revealed to be Odin, the Grey God, hints at an impending war in Ireland and vanishes after predicting doom and the fall of gods.

Sword & Fantasy #6

The front and back cover art is from foreign Robert E. Howard paperback editions. Articles include a long analysis of the Robert E. Howard story “Tower Of The Elephant” (profusely illustrated). A six page folio of illustrations from Robert E. Howard stories printed in Czechoslovakia. An interview with Ray Capella and a short sword & sorcery story by Ray titled “The Lair.” A seven page folio of WEIRD TALES pulp art from Robert E. Howard stories. An article on the REH story “Lord Of The Dead.” An article on Conan pastiche novels (in other words Conan books not written by REH), and more. Artwork by Rick McCollum, Eduardo Barreto, Mahlon Fawcett, and others.