This publication collects Howard’s piratical yarns that aren’t part of his more famous characters’ collections; no Conan or Solomon Kane tales are herein, but the book does collect the two Black Vulmea stories and a handful of others, including Howard’s rewrite of “The Blue Flame of Vengeance” using a new character, Malachi Grim. This Ultimate Edition adds the earliest known draft of “Black Vulmea’s Vengeance.”
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This publication was created to safeguard the copyright of Robert E. Howard’s previously unpublished works. A limited run of 12 copies was produced, with two exclusive editions bound in leather and the remainder as comb-bound paperbacks. The content includes non-Howard material in Swedish, except for Patrice Louinet’s introduction and the “Notes” section, which offers insights into the stories.
Finally, in this volume, the last of the trunk is being revealed. Virtually all the remaining prose, complete or not, is included. More than 100 works appear in this volume. While this collection may not feature his most memorable or impressive work (those works are already in print), it does fill in lots of blank spaces for the scholars and collectors, and perhaps yields a little more understanding of this great Texas writer.
This massive volume, well over 650 pages and over 180,000 words, is printed in hardback with dust jacket, in a limited quantity of 300 copies, each individually numbered. Cover artwork is by Tom Foster, cover design by Dennis McHaney.
This publication collects Howard’s piratical yarns that aren’t part of his more famous characters’ collections; no Conan or Solomon Kane tales are herein, but the book does collect the two Black Vulmea stories and a handful of others, including Howard’s rewrite of “The Blue Flame of Vengeance” using a new character, Malachi Grim. The tales collected herein were not commercial successes for their author, though many of them display the poetic prose and narrative drive that are the earmarks of Howard’s fiction. It checks in at 257 pages, and is printed in hardback with dust jacket, in a limited quantity of 250 copies, each individually numbered. Cover art by Tom Gianni and introduction and edited by Rob Roehm.
Issue #2 of a fanzine about Robert E. Howard, featuring some fiction. “Cromwatch” lists recent publications of REH material.
Dark Fantasy #11 is a fanzine by Shadow Press, January 1977. Contains the REH poem “Visions”.
Dark Fantasy was a literary fantasy and horror fanzine by Howard Eugene (Gene) Day (1951-1982).
Myth Maker by Cross Plains Comics. Adaptations of Howard’s short stories. Contains “Men of the Shadows” and “Dream Snake” by Tim Sale and Matt Hollingsworth, “Spear & Fang” by Richard Corben and Eric Hope, and “Dermod’s Bane” by Kelley Jones, Laurie Smith, and George Freeman.
Pin-up art by Rafael Kayanan, John Bolton, Michael Kaluta, Mark Schultz, Steve Lightle, and Colin MacNeil, a bit of history on comics adaptions of Howard’s creations by Thomas, and a short bio on Novalyne Price Ellis, author of a well-known Robert E. Howard memoir, by Rusty Burke.
An anthology collecting 32 stories of horror and the macabre, one for each year of the magazines initial run. Storyies by Edmond Hamilton, H. Warner Munn, Robert E. Howard, Seabury Quinn, Jack Williamson, Richard Matheson, Frank Belknap Long, Clark Ashton Smith, Fritz Leiber, H.P. Lovecraft, Ray Bradbury, and many, many more. Includes some of the illustrations from the pulp magazines.
Only Howard’s THE SHADOW KINGDOM is included from his stories.
The Spell of Seven. Contains SHADOWS IN THE MOONLIGHT. is an anthology of fantasy short stories in the sword and sorcery subgenre, edited by L. Sprague de Camp and illustrated by Virgil Finlay. It was first published in paperback by Pyramid Books in 1963, but most of the stories were originally from 1930s pulp magazines. This was the first sword and sorcery anthology ever assembled and was followed by three additional such anthologies edited by de Camp. It has also been translated into German.
Contains the poem ‘The Dream and the Shadow’ by Howard.