“The Last Ride” is co-authored by Chandler Whipple (aka Robert Enders Allen). The exact contribution of each author is unknown.
A Western tale centered around Buck Laramie, the youngest of the Laramie brothers, who are known outlaws. The story depicts Buck’s internal conflict between his loyalty to his family and his moral compass, which is against their criminal lifestyle. After a bank robbery, Buck leaves his brothers, seeking a new life. Years later, he returns to San Leon, the scene of their last crime, to find redemption and repay the townspeople. However, his return leads to a series of misadventures and misunderstandings, reflecting Buck’s struggle to escape his past.
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The Last Laugh. Alternate title: Untitled story (The rising sun was behind the wild figure.)
‘By This Axe I Rule!’ is a fantasy short story by American writer Robert E. Howard, the last of his Kull stories, set in his fictional Thurian Age. It was first published in the Lancer Books paperback King Kull in 1967.
This story was rejected by the pulp magazines Argosy and Adventure in 1929, after which Howard rewrote it as the Conan story ‘The Phoenix on the Sword’, substituting a new secondary plot and adding elements of supernatural horror. The main shared elements of the two stories are the conspiracy and the king’s defeat of it. The Conan story was published in December 1932.
“Beyond the Black River” is one of the original short stories about Conan the Cimmerian. First published in Weird Tales magazine, May-June 1935. The story was republished in the collections King Conan (Gnome Press, 1953) and Conan the Warrior (Lancer Books, 1967). It has since been published a numerous times in many languages. It’s set in the pseudo-historical Hyborian Age and concerns Conan’s battle against a savage tribe of Picts in the unsettled lands beyond the infamous Black River.
About a Satanic cult and a haunted record. A record is sent to Stephen Gordon after the death of Casonetto. Also featuring his friend Steve Costigan who might or might not be the boxer sailor Steve Costigan.
A fragment first published (in French) in La Tomb Du Dragon (NeO, 1990). First English language publication in The New Howard Reader #7, Spring 2000.
Finally, in this volume, the last of the trunk is being revealed. Virtually all the remaining prose, complete or not, is included. More than 100 works appear in this volume. While this collection may not feature his most memorable or impressive work (those works are already in print), it does fill in lots of blank spaces for the scholars and collectors, and perhaps yields a little more understanding of this great Texas writer.
This massive volume, well over 650 pages and over 180,000 words, is printed in hardback with dust jacket, in a limited quantity of 300 copies, each individually numbered. Cover artwork is by Tom Foster, cover design by Dennis McHaney.
This publication was created to safeguard the copyright of Robert E. Howard’s previously unpublished works. A limited run of 12 copies was produced, with two exclusive editions bound in leather and the remainder as comb-bound paperbacks. The content includes non-Howard material in Swedish, except for Patrice Louinet’s introduction and the “Notes” section, which offers insights into the stories.
Part 3 of 3. “Red Nails” is the last of the stories featuring Conan the Cimmerian written by American author Robert E. Howard. A novella, it was originally serialized in Weird Tales magazine from July to October 1936. It’s set in the pseudo-historical Hyborian Age and concerns Conan encountering a lost city in which the degenerate inhabitants are proactively resigned to their own destruction. Due to its dark themes of decay and death, the story is considered a classic of Conan lore while also cited by Howard scholars as one of his best tales.
Part 2 of 3. “Red Nails” is the last of the stories featuring Conan the Cimmerian written by American author Robert E. Howard. A novella, it was originally serialized in Weird Tales magazine from July to October 1936. It’s set in the pseudo-historical Hyborian Age and concerns Conan encountering a lost city in which the degenerate inhabitants are proactively resigned to their own destruction. Due to its dark themes of decay and death, the story is considered a classic of Conan lore while also cited by Howard scholars as one of his best tales.