A handwritten postcard from HPL to REH, postmarked June 4, 1932, from New Orleans, addressed to “R.E. Howard, Esq.” and signed “Sincerely yrs, HPL”.
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This originally was the untitled essay “. . . which is characterized . . .”, followed by six pages of general notes on all things Celtic, tentatively titled “Notes on the Celts”; the essay was handwritten, the rest of the pages typed, all facsimile reproduction of original REH pages; was reprinted completely in THE NEW HOWARD READER; just the essay in BRAN MAK MORN.
Short biography – written by Rusty Burke.
Robert Ervin Howard (1906-1936) ranks among the greatest writers of action and adventure stories. The creator of Conan the Cimmerian, Kull of Atlantis, Solomon Kane, Bran Mak Morn, ‘El Borak,’ Sailor Steve Costigan and many other memorable characters, Howard (known as REH to his millions of fans), in a career that spanned barely 12 years, wrote well over a hundred stories for the pulp magazines of his day.
Written by Jessica Amanda Salmonson Robert E. Howard was a great storyteller. Perhaps not a skilled writer in technical terms, but nonetheless, his fiction is powerful in an awkward, honest, direct manner — not unlike many of his heros. Certainly his style is appealing, as his popularity has continued in spite of his imitators’ every [ read more . . . ]
This untitled synopsis serves as an early version of Robert E. Howard’s The Moon of Zambebwei, showcasing the raw elements of gothic horror, adventure, and voodoo-infused suspense that Howard was known for. The story revolves around Bristol McGrath.
The 1st draft of Murderer’s Grog. One of Howard’s spicy stories was later published under the name Sam Walser. Featuring Wild Bill Clanton.
One of Howard’s spicy stories was published with the name Sam Walser. “Desert Blood” is a vivid narrative, encapsulating the adventurous and tumultuous escapades of Wild Bill Clanton, an American in Tebessa, and his encounters with various individuals across the Barbary region. The story weaves through themes of love, betrayal, courage, and cultural clashes, reflecting the pulpy, exotic, and often politically incorrect ethos of its time.
In the realm of classic comic book series, “La Reina de la Costa Negra” stands as a remarkable Mexican publication that has captured the imaginations of readers for decades. The series, which translates to “The Queen of the Black Coast,” is notably linked to the universe of Robert E. Howard’s creations, although it diverges with its unique interpretations and storylines.
This essay delves into the influences that sparked part of Howard’s imagination, with a focus on three influential women who played a significant role in his work in the horror genre of his stories.